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The Complete Poems of Emily Dickinson (Poetry Collections - Emily Dickinson), by Emily Dickinson
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The Complete Poems of Emily Dickinson By Emily Dickinson. The verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"—something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts. In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without setting her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a very few friends; and it was with great difficulty that she was persuaded to print, during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiously indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness. Miss Dickinson was born in Amherst, Mass., Dec. 10, 1830, and died there May 15, 1886. Her father, Hon. Edward Dickinson, was the leading lawyer of Amherst, and was treasurer of the well-known college there situated. It was his custom once a year to hold a large reception at his house, attended by all the families connected with the institution and by the leading people of the town. On these occasions his daughter Emily emerged from her wonted retirement and did her part as gracious hostess; nor would any one have known from her manner, I have been told, that this was not a daily occurrence. The annual occasion once past, she withdrew again into her seclusion, and except for a very few friends was as invisible to the world as if she had dwelt in a nunnery. For myself, although I had corresponded with her for many years, I saw her but twice face to face, and brought away the impression of something as unique and remote as Undine or Mignon or Thekla.
- Published on: 2016-01-01
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .55" w x 8.00" l, 1.07 pounds
- Binding: Paperback
- 242 pages
Amazon.com Review
Emily Dickinson proved that brevity can be beautiful. Only now is her complete oeuvre--all 1,775 poems--available in its original form, uncorrupted by editorial revision, in one volume. Thomas H. Johnson, a longtime Dickinson scholar, arranged the poems in chronological order as far as could be ascertained (the dates for more than 100 are unknown). This organization allows a wide-angle view of Dickinson's poetic development, from the sometimes-clunky rhyme schemes of her juvenilia, including valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings from her last years. Quite a difference from requisite Dickinson entries in literary anthologies: "There's a certain Slant of light," "Wild Nights--Wild Nights!" and "I taste a liquor never brewed."
The book was compiled from Thomas H. Johnson's hard-to-find variorum from 1955. While some explanatory notes would have been helpful, it's a prodigious collection, showcasing Dickinson's intractable obsession with nature, including death. Poem 1732, which alludes to the deaths of her father and a onetime suitor, illustrates her talent:
My life closed twice before its close;
It yet remains to see
If Immortality unveil
A third event to me,
So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
The musicality of her punctuation and the outright elegance of her style--akin to Christina Rossetti's hymns, although not nearly so religious--rescue the poems from their occasional abstruseness. The Complete Poems is especially refreshing because Dickinson didn't write for publication; only 11 of her verses appeared in magazines during her lifetime, and she had long-resigned herself to anonymity, or a "Barefoot-Rank," as she phrased it. This is the perfect volume for readers wishing to explore the works of one of America's first poets.
From Library Journal
Complete is the keyword here as this is the only edition currently available that contains all of Dickinson's poems. The works were originally gathered by editor Johnson and published in a three-volume set in 1955. Essential for academic and public libraries.
Copyright 1997 Reed Business Information, Inc.
Review
This is now the definitive text of Dickinson, a poet one can open at random and find something exhilarating. (The Guardian)
Mr. Franklin is the recognized authority on Emily Dickinson's poetry and gives us 1,789 poems, the largest and most accurate collection of her verse...For all those who love Emily Dickinson's unique verse this is a treasure trove from which to choose. This is a publishing coup of the first order. (Contemporary Review 2000-10-01)
Not only is it the 'authoritative' and 'definitive' edition of her complete poems, it is a gorgeous volume printed by the Belknap Press, complete with a crimson ribbon bookmark...For those who like Emily Dickinson and who want all the poems as she wrote them, unmolested by well-meaning editors and thoughtless publishers, this is the book. In one volume you can hold the closest thing to the real Dickinson that anyone will ever get. (bn.com)
Most helpful customer reviews
200 of 206 people found the following review helpful.
Johnson Edition
By George H. Soule
So, here's the deal, boys and girls. There are two versions of the reading edition of Emily Dickinson's poems that are usable. And by usable, I mean that the texts (note the work "texts") are what Emily Dickinson wanted the texts to be. The first version is, as I read the description of the volume in question, is the Thomas H. Johnson text. Now, friends, (excuse me if I seem patronizing, but as a Dickinson scholar, long of tooth, and weary of stupidity, I have my prejudices), Johnson's text has been a fully acceptable and competent version since it was published as the authoritative Dickinson in 1955 (Belknap Press of Harvard University Press issued the variorum, three volume version of all the authoritative poems in the same year.) This is cool. The newest version of Emily Dickinson poems was edited by R.W. Franklin, and the readers' edition was published in 1999. There is also a new variorum edition published by Belknap Press of Harvard and edited by Franklin. So. I am boring you with all of this detail to tell you that the Johnson texts are good texts. If you are serious about Dickinson--meaning if you actually care about what she wrote on the page--the Johnson and the Franklin will give accurate texts. F.W. Franklin has been working on details where Johnson lacked insight since the '60's. He knows whereof he speaks, and he has done his utmost to reassemble Ms. Dickinson's original manuscripts in their proper order. Previous versions of the poems--those before Johnson and Franklin--regularized rhyme and otherwise abrogated the accuracy of the poems. They were cleaned up according to late 19th century standards, and the texts--despite editorial comments to the contrary--are corrupt. That means that they are inaccurate. So, dear friends, if you want Emily Dickinson with accuracy--despite the rapturous testimony of some reviewers--go for the Johnson or Franklin texts. The others are mostly fraudulent. And in case you actually care, my credentials are respectable, and I don't work for a publisher. Use Johnson if you have him with confidence. Franklin is most current and should be impeccable. Other texts, including some that are in supposedly respectable American literature anthologies, may be suspect. (One of the most respectable uses texts that derive from late 19th century texts that were declared corrupt some 40 years ago.) So--hope this is of some use.
219 of 230 people found the following review helpful.
Zero at the Bone
By Dennis Littrell
Nearly everyone who's had a brush with American lit knows the story of Emily Dickinson - her poetry unpublished in her lifetime, and then even after her death, her verses seeing the light of day only after having been "improved" on by an editor who found her rhymes imperfect and her meter "spasmodic." He even went so far as to make her metaphors "sensible." The fact is, Thomas Wentworth Higginson, to whom Dickinson had sent her poems, was a representative of the poetic establishment, and as with all artistic establishments then and now, was too rigid in his thinking and too impoverished in his imagination to comprehend a new voice of genius. As Editor Thomas H. Johnson writes in his terse but very instructive Introduction, "He was trying to measure a cube by the rules of plane geometry."
Of course other women of literature suffered something similar during the nineteenth century. What I wonder is, who is being misread, ignored or denied today?
Anyway, suffice it to say that this IS the definitive one-volume collection of the poetry of Emily Dickinson. It includes all the 1,775 poems that she wrote in her lifetime, and they are presented here just as she wrote them with only some minor corrections of obvious misspellings or misplaced apostrophes. Johnson has retained the sometimes "capricious" capitalization, and preserved the famous dashes.
There is a subject index, which I found useful, and an index of first lines, which is invaluable.
Dickinson can be playful...
I'm Nobody! Who are you?
Are you - Nobody - too?
Then there's a pair of us!
Don't tell! they'd advertise - you know!
...she can be sarcastic...
"Faith" is a fine invention
When Gentlemen can see -
But Microscopes are prudent
In an Emergency.
[Alas, the Amazon.com editor does not support italics. The words "see" and "Microscopes" are italicized above, and it really does make a difference!]
...and grave...
I heard a Fly buzz - when I died -
The Stillness in the Room
Was like the Stillness in the Air -
Between the Heaves of Storm -
...and observant...
I like a look of Agony,
Because I know it's true -
Men do not sham Convulsion,
Nor simulate, a Throe -
...and profound...
Love reckons by itself - alone -
"As large as I" - relate the Sun
to One who never felt it blaze -
Itself is all the like it has -
..and desperate...
"Hope" is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -
...and self aware...
I meant to have but modest needs -
Such as Content - and Heaven -
Within my income - these could lie
And Life and I - keep even -
...and even radical...
Much Madness is divinest Sense -
To a discerning Eye -
Much Sense - the starkest Madness -
'Tis the Majority
In this, as All, prevail -
Assent - and you are sane -
Demur - you're straightway dangerous -
And handled with a Chain -
...and much more.
She is a poet of strikingly apt and totally original phrases imbued with a deep resonance of thought and observation, especially on her favorite subjects, life, death and love. She can be cryptic and her references and allusions are sometimes too private for us to catch. She can also be amazingly terse. But the intensity of her experience and the "Zero at the Bone" emotion displayed in this, her "letter to the World/That never wrote to me -" are second to none in the world of letters. Unlike Shakespeare, who mastered the psychology of people in places high and low, Dickinson mastered only her own psychology, and yet through that we can see, as in a mirror, ourselves.
--Dennis Littrell, author of "Like a Tsunami Headed for Hilo: Selected Poems"
82 of 86 people found the following review helpful.
OK, not great
By 0101101
The first review is correct that the table of contents and divisions help greatly in navigating this edition. I have a huge issue, though, with the formatting.
Poetry flows - or, should. A poem comprises both linguistic content and graphic display. Its presentation on the page is a part of the poem. The display of poems in this edition is flawed in a ways that can be jarring and distracting: Although many of the poems are short, short enough to fit on a page, they are not arranged that way. A poem of just a few lines will frequently begin on a page and be continued on the following page, often with the division occurring in the middle of a stanza. Then, below it, the next poem will begin and be chopped up in the same fashion.
I am disappointed to find yet another Kindle book that shows disregard for quality as evidenced in negligent formatting. ok, it's cheap, but reinforces what should be a constant 'Kindle rule': always view the sample before buying anything.
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