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The Connoisseur of Alleys, by Eileen R Tabios
Download PDF The Connoisseur of Alleys, by Eileen R Tabios
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Poetry. From the Foreword:
"A phrase from Comte de Lautréamont's prose poem Les Chants de Maldoror (1869) has been used by many as a definition of surrealism: 'the chance meeting on a dissecting-table of a sewing-machine and an umbrella.' Such fanciful and bizarre juxtaposition is one of the many sources of beauty and the sublime in THE CONNOISSEUR OF ALLEYS. Sentences and lines resurrected from the earlier works resonate and reverberate with each other in a preordained fashion so that each poem ebbs and flows, builds to a crescendo, echoing each of the other poems' ebbs, flows, and crescendos. There is certainly 'chance meeting' in the way Tabios's text collides with itself but there is nothing chance about the delicacy and beauty that comes from those collisions.
These poems are, to borrow from Whitman again, 'large and contain multitudes.' They are a striking tribute to art and to poetry—both Tabios's own earlier work and, really, all poetry—underlining and emphasizing for ourselves our own humanity and grace. Again, a random quotation:
I forgot the damp eyes were mine…I forgot that if you call an island 'Isla Mujeres,' half of the population will be anguished…I forgot to be human is to be forgiven…I forgot the taste of your mouth was song of licorice…
I forgot. And in forgetting, I remembered. Excruciatingly and exquisitely. May we all forget and remember so eloquently and elegantly."—Vince Gotera
- Sales Rank: #4710889 in Books
- Published on: 2016-02-01
- Original language: English
- Dimensions: 9.00" h x 5.75" w x .25" l,
- Binding: Paperback
- 96 pages
Review
These poems are, to borrow from Whitman..., large and contain multitudes. They are a striking tribute to art and to poetry both Tabios s own earlier work and, really, all poetry underlining and emphasizing for ourselves our own humanity and grace. --Vince Gotera, Editor North American Review
About the Author
Eileen R. Tabios loves books, and has released more than 20 print, five electronic and one CD poetry collections; an art essay collection; a "collected novels" book; a poetry essay/interview anthology; a short story collection; and two experimental biographies. INVENT(ST)ORY (Dos Madres Press, 2015) is her second of a series of Selected/Collected Poems focused on poetic form; her first Selected, THE THORN ROSARY (Marsh Hawk Press, 2010), focused on a 12-year exploration of the prose poem form. She has also exhibited visual art and visual poetry in the United States and Asia. Recipient of the Philippines' National Book Award for Poetry for her first poetry collection, she has crafted an award-winning body of work that is unique for melding ekphrasis with transcolonialism. Her poems have been translated into seven languages as well as computer- generated hybrid languages, Paintings, Video, Drawings, Visual Poetry, Mixed Media Collages, Kali Martial Arts, Music, Modern Dance and Sculpture. She also has edited, co-edited or conceptualized ten anthologies of poetry, fiction and essays in addition to serving as editor or guest editor for various literary journals. She maintains a biblioliphic blog, "Eileen Verbs Books"; edits Galatea Resurrects, a popular poetry review; steers the literary and arts publisher Meritage Press; and frequently curates thematic online poetry projects including LinkedIn Poetry Recommendations (a recommended list of contemporary poetry books).
Most helpful customer reviews
1 of 1 people found the following review helpful.
‘I forgot the musk of evenings quivering into post-elegance…’
By Grady Harp
Anyone familiar with the rather enormous output of poetry and experimentation written communication and style will have an idea of what to expect in this newest publication THE CONNOISSEUR OF ALLEYS (the title alone invites creativity). But then again, not necessarily, because every time Tabios sets her mind to a new project, something unique happens. This collection of works is a collection of interconnected poems, each time a poem begins a reference shines, a moment of recognition and yet that moment so embellished with fresh perspective that the result is as mesmerizing as it is exquisite poetry. Each poem begins with ‘I forgot…’ and then meanders through the maze of memory and reconstruction of the past and references to the art of word craftsmanship in a manner that immediately becomes awe-inspiring.
AFTER THE EGYPTIANS DETERMINED THE SHAPE OF THE WORLD IS A CIRCLE
[2} I forgot I became a connoisseur of alleys…I forgot how quickly civilization can disappear, as swiftly as the shoreline from an oil spill birthed form a twist of the wrist by a drunk vomiting over the helm…I forgot I’d learned to recognize the sound of my bones becoming brittle, and how much O despised the goldfish swimming meekly inn its small bowl…I forgot the definition of childhood is ineffable…I forgot myself as a child clutching a silver-flaked purple marble in a sweating fist, shielding my treasured toy from the school bully who most assuredly would steal it before running back to the indifference that bred him…I forgot a narrow elevator I once shared with John Donne who always reminds, ‘Every man’s death diminishes me’…I forgot his friend wore a baseball cap and held a bouquet of orange lilies as a shield between us…I forgot him lowering the flowers’ unshakeable beauty to suggest, ‘They are luminous, aren’t they?’…I forgot how perfume cannot obliterate.
147 MILLION ORPHANS
[4] I forgot my son is afire and with all the water of the pre-drought Sierras fauceting through my fingers I still cannot caress him cannot hold him cannot help him…I forgot the estimate of orphans worldwide is inherently a square root…I forgot the new parent crying out on behalf of many adoptive parents, ‘I didn’t save a child – a child saved me’…I forgot the opposite of fog…I forgot the aftermath can be dwindling…I forgot the reeds were frozen into it because the river was entirely frozen…I forgot forbearance…I forgot they were born into a dowerless present…I forgot the introduction to, then frequent engagements with, snow…but never the acquaintance of pretty clarity defined by new snow.
This book overflows with ingenuity and with brilliance of writing - as is always the case with Eileen R Tabios. She is quietly overtaking her art form with constant infusions of new ideas and techniques. Grady Harp, February 16
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